Colorado based artist Ken Elliott, focuses on the western landscape and its rich store of ideas and inspiration. Painting rural scenery, Elliott does not try to recreate nature or attempt storytelling but instead, wields color boldly, creating vibrant, contemporary landscapes that are both animated and peaceful. Ken Elliott works in a variety of media, including oils, pastels, monotypes, etchings, and collages. Some of his landscape paintings and pastels are reproduced as dramatic giclee prints. His work is in many public and private collections in the U.S. and throughout the world. In 2020, Ken Elliott oil paintings were selected for the State Department's Art for Embassies program. The Ambassador John Mark Pommersheim and his wife selected four works for their U.S. Ambassador's Residence in Dushanbe, Tajikistan.  



"My involvement in the art business has now spanned over 40 years. I began as a picture framer, then worked alongside an art restorer, became an art dealer, and about 25 years ago, began to draw and paint. In my career, I’ve been fortunate to have seen remarkably good works of art and met some of the best painters in the field. My focus is the landscape and its rich store of ideas and inspiration. I am compelled to work from the trees, skies, lakes and streams in their endless variations. I don’t try to recreate nature (even Monet said he never got it right) or attempt storytelling. Instead, the works are simplifications and exaggerations of nature. There was a time when I felt the tyranny of the landscape. That is, I felt limited by making pictures of a place. Now, instead of making pictures, I am free to make paintings - art that comes from nature but is far more reliant on the strategies of making good art objects. Fortunately, I’ve learned that what some would call mistakes are part of the creative process. So, I try to begin boldly, not worrying about mistakes, using more color than might exist in nature, and varying the types of chroma and marks. During the process, I allow my vision and the inevitable missteps to become a part of the emerging image. Some of these missteps will be eliminated and the more delicious ones are incorporated into the process as unintended surprises.”