PHILIPPE HALSMAN (1906–1979)
Halsman was an American portrait photographer who was born in Riga in the part of the Russian Empire which later became Latvia. Born to a Jewish family of Morduch (Max) Halsman, a dentist, and Ita Grintuch, a grammar school principal, in Riga, Halsman studied electrical engineering in Dresden. In September 1928, 22 year old Halsman was falsely accused of his father's murder while they were on a hiking trip in the Austrian Tyrol, an area rife with antisemitism. He was sentenced to ten years hard labor/solitary confinement. His sister Liouba worked for his release, getting support from important European intellectuals including Freud, Einstein, Thomas Mann, Henri Hertz, and Paul Painlevé, who endorsed his innocence. He was pardoned and released in 1930.
Halsman consequently left Austria for France. He began contributing to fashion magazines such as Vogue and soon gained a reputation as one of the best portrait photographers in France, renowned for images that were sharp rather than in soft focus as was often used, and closely cropped. When France was invaded by Germany, Halsman fled to Marseille. He eventually managed to obtain a U.S. visa, aided by family friend Albert Einstein (whom he later famously photographed in 1947). Halsman had his first success in America when the cosmetics firm Elizabeth Arden used his image of model Constance Ford against the American flag in an advertising campaign for "Victory Red" lipstick. A year later, in 1942, he found work with Life magazine, photographing hat designs; a portrait of a model in a Lilly Daché hat was the first of his many covers for Life. In 1941 Halsman met the surrealist artist Salvador Dali; they began to collaborate in the late 1940s. The 1948 work Dalí Atomicus explores the idea of suspension, depicting three cats flying, a bucket of thrown water, and Dalí in mid air. The title of the photograph is a reference to Dalí's work Leda Atomica which can be seen in the right of the photograph behind the two cats. Halsman reported that it took 28 attempts before a satisfactory result was achieved. Halsman and Dalí eventually released a compendium of their collaborations in the 1954 book Dalí's Mustache, which features 36 different views of the artist's distinctive mustache. Another famous collaboration between the two was In Voluptas Mors, a surrealistic portrait of Dalí beside a large skull, in fact a tableau vivant composed of seven nudes. Halsman took three hours to arrange the models according to a sketch by Dalí. A version of In Voluptas Mors was used subtly in the poster for the film The Silence of the Lambs.
In 1947 Halsman made what was to become one of his most famous photos of a mournful Albert Einstein, who during the photography session recounted his regrets about his role in the United States pursuing the atomic bomb. The photo would later be used in 1966 on a U.S. postage stamp and, in 1999, on the cover of Time magazine, when it called Einstein the "Person of the Century." In 1951 Halsman was commissioned by NBC to photograph various popular comedians of the time including Milton Berle, Sid Caesar, Groucho Marx, and Bob Hope. While photographing the comedians doing their acts, he captured many of the comedians in mid-air, which went on to inspire many later jump pictures of celebrities including the Ford family, The Duke and Duchess of Windsor, Marilyn Monroe, Marîa Félix and Richard Nixon. Halsman commented, "When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears." The photographer developed a philosophy of jump photography, which he called jumpology. He published Philippe Halsman's Jump Book in 1959, which contained a tongue-in-cheek discussion of jumpology and 178 photographs of celebrity jumpers.
Other celebrities photographed by Halsman include Alfred Hitchcock, Martin and Lewis, Judy Garland, Winston Churchill, Marilyn Monroe, Dorothy Dandridge, and Pablo Picasso. Many of those photographs appeared on the cover of Life. In such photos, he utilizes a variety of his rules of photography. For example, in one of his photos of Winston Churchill, the omission of his face makes Halsman's photo even more powerful at making Churchill more human. In 1952 John F. Kennedy sat twice for photographs by Halsman. A photograph from the first sitting appeared on the jacket of the original edition of Kennedy's book Profiles in Courage; one from the second sitting was used in the senatorial campaign. In 1958 Halsman was listed in Popular Photography magazine's "World's Ten Greatest Photographers", and in 1975 he received the Life Achievement in Photography Award from the American Society of Magazine Photographers, of which he was elected the first president in 1945. He also held many large exhibitions worldwide.